Musical style Īccording to Paste, Fever to Tell was representative of the early-2000s' garage rock revival, while Dan Epstein from Rolling Stone called the record an "NYC art-punk landmark". Once the recording was finished, the album was mixed in London by Zinner and sound engineer Alan Moulder. Then, of course, he ended up being really fucking masterful." That was probably one of the biggest reasons we worked with him, because we didn’t know anyone else. "I guess he was just a buddy, and we felt immediately like we were family with him. "I remember him giving me a few burned CDs of stuff that he had worked on", she Karen O said. She recalled the decision in an interview with Lizzy Goodman for her 2017 book Meet Me in the Bathroom. In 2002, the band asked Sitek to produce their debut album. Karen O and Yeah Yeah Yeahs guitarist Nick Zinner first met Sitek while working together at a Brooklyn clothing store, and he went on to drive and manage them for their first concert tour. "We were all living together, and all the money we used to fund it came out of our pocket." įever to Tell was produced by Yeah Yeah Yeahs with David Andrew Sitek, a multi-instrumentalist and producer from the band TV on the Radio. "It was really important for us to do it on our turf, on our terms", lead singer Karen O later told Spin. The band wanted to finance their debut album themselves and chose to record at the low-budget Headgear Studio in Brooklyn.
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