Hilltop Hoods help add some funk and personality to ' Don Quixote'. ' Another Juliet' sounds like he's channeling his inner Lin-Manuel Miranda. It's a very diverse record in terms of the different styles Drapht blends into his music. This album isn't afraid to show some character. Dunn delivers some fiery vocals on this track, too. ' Bad' featuring Nat Dunn is an example of this it's a fun track, and you can tell that's what he was going for. There's several tracks where you can tell the purpose of them is to have some fun. The instrumental is simply fun with blaring trumpets throughout and twinkling pianos in other parts. His vocal delivery doesn't try and be gimmicky or something he wishes it could be (in American terms, he's not trying to sing like a pop star). If you're skeptic, just listen to the first full track on the record, ' All Love': It has confidence, style, and lots of love. The lyricism of Kendrick Lamar meets the fun instrumentals of Macklemore & Ryan Lewis. Seven Mirrors is an audacious record in all of the right ways. His success is rightfully claimed his new record is something you don't hear often in hip-hop. Drapht shows us Americans not only that hip-hop isn't something exclusive to us, but that others can thrive in it.Īlready on his third album, Drapht has slowly been carving his way into Australia's mainstream. The country's pop and progressive rock scenes boom, but you never really hear many rappers coming out of there. All things considered, hip-hop is the last thing you'd expect out of Australia.
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